There are two things that annoy me when I am listening to recordings of Bach cantatas: scratches on CDs and annoying inept warbling sopranos who sing Bach like Verdi (on a humorous note, some horrible sopranos are funny). A recent find from eMusic remedies both of those problems.
I had never heard Carolyn Sampson before I stumbled upon a recording of her and the Bach Collegium Japan performing Bach’s Cantata “Jauchzet Gott in allen Landen”, BWV 51. In all honesty, I was only looking to build my library of cantatas, and decided to give the BCJ a lookup on eMusic. And through some miracle, I came across Carolyn Sampson in the process.
We are all familier with the operatic, incessantly trembling soprano sound. It’s as though all that vibrato is trying to hide the fact that they don’t really know what damn note they’re singing. If you despise that sound, then you will fall in love with Sampson’s beautiful, pure, lyrical tone. She never over-interprets Bach, yet her interpretive choices are wisely made and executed. She is the refined baroque soprano that many have been waiting for since the boom of period recordings in the 1980s.
She’s not just a great interpreter. Her technique is nearly flawless. Her voice is one of the closest to sounding like another instrument in the ensemble that I’ve ever heard. Intonation is spot on, and she tackles massive vocal runs like Barack Obama tackles a California primary: child’s play.
You shouldn’t, however, take the word of a humble blogger for it: go check it out yourself. The recording is available on eMusic, along with several other recordings of Sampson. If you want to hear a fresh new sound in Bach, this one is a must:














I’m all for eating pancakes. Yum. And I’m all for eating contests, too. I mean, I probably wouldn’t ever enter one, but there’s something intriguing about seeing a mass of people trying to proclaim their superiority over one another by inhaling gluttonous amounts of food. Or was that morbidly gluttonous amounts of food?







